![]() So we had already spent a couple months just at the piano working out the main themes. Justin Hurwitz: So, the landing is, that’s a sequence that Damien wanted to create music for before, during pre-production, before he had shot, so he likes to, for some sequences in the movie, he likes to create music and storyboard the music and create animatics with the music. What drove your decisions and how did you lay that whole segment out? (Most recently, Best Original Score for First Man.)Īhead of First Man‘s DVD release, Hurwitz spoke to FanSided about scoring space set-pieces, his 15+ year partnership with Chazelle and which scene best encapsulates his work.įanSided: I want to start with the moon landing scene. He’s more than earned the two Oscars and three Golden Globes he’s picked up along the way. ![]() Hurwitz has worked with Chazelle on his last three projects, La La Land, Whiplash and Guy and Madeline on a Park Bench and has known the director since they were college roommates. Or today’s announcement of Oscar nominations, at which it picked up a number of nods, despite a notable absence in Best Original Score category for Justin Hurwitz. Take your pick of occasions: First Man‘s arrival on Blu-ray/DVD, the Sundance debut of the Apollo 11 documentary later this week. But why focus on the past, when we can give the film its due now. When the Ryan Gosling and Claire Foy drama first hit theaters in October 2018, it was, perhaps, a little overshadowed by a more bombastic astrologically-titled offering. It could be argued that First Man, Damien Chazelle’s intimate portrait of Neil Armstrong’s life leading up to the historic Apollo 11 mission and the director’s follow-up to La La Land, has not yet had its moment in the sun - or, moon, as it were. ![]() ![]() By Shea Corrigan 2 years ago Follow TweetĬomposer Justin Hurwitz can tell you just what makes First Man’s score - and that Moon landing sequence - so powerful. ![]()
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